The Penelopiad: The Myth of Penelope and Odysseus (Paperback)
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Margaret Atwood returns with a shrewd, funny, and insightful retelling of the myth of Odysseus from the point of view of Penelope. Describing her own remarkable vision, the author writes in the foreword, I’ve chosen to give the telling of the story to Penelope and to the twelve hanged maids. The maids form a chanting and singing Chorus, which focuses on two questions that must pose themselves after any close reading of the Odyssey: What led to the hanging of the maids, and what was Penelope really up to? The story as told in the Odyssey doesn’t hold water: there are too many inconsistencies. I’ve always been haunted by the hanged maids and, in The Penelopiad, so is Penelope herself.” One of the high points of literary fiction in 2005, this critically acclaimed story found a vast audience and is finally available in paperback.
About the Author
MARGARET ATWOOD'S poetry, like her fiction -- including The Handmaid's Tale and the Booker-winning The Blind Assassin -- is known and acclaimed around the world. Her last collection, Morning in the Burned House, won the Trillium Book Award in 1995. The author of more than forty works of fiction, poetry, critical essays, and books for children, Atwood has received top honors and awards in Canada, the United States, and the United Kingdom, and many other countries. She lives in Toronto. In 2008, Atwood was awarded the prestigious Prince of Asturias Award Laureate for Letters, considered to be the Spanish-language Nobel.
Half-Dorothy Parker, half-Desperate Housewives.” The Independent (UK)
By turns slyly funny and fiercely indignant, Ms. Atwood’s imaginative, ingeniously constructed deconstruction’ of the old tale reveals it in a newand refreshingly differentlight.” The Washington Times
Hereat the outset of the twenty-first century, with everyone else looking forward with great intensity and hoping to predict what our mysterious future might bringis Margaret Atwood, one of the most admired practitioners of the novel in North America, taking the measure of the old Odyssey itself with a steady gaze and asking the reader to follow forthwith, even as she coolly rewrites that oral epic from the point of view of the hero’s wife.” Alan Cheuse, Chicago Tribune