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Harriet and Vesey meet when they are teenagers, and their love is as intense and instantaneous as it is innocent. But they are young. All life still lies ahead. Vesey heads off hopefully to pursue a career as an actor. Harriet marries and has a child, becoming a settled member of suburban society. And then Vesey returns, the worse for wear, and with him the love whose memory they have both sentimentally cherished, and even after so much has happened it cannot be denied. But things are not at all as they used to be. Love, it seems, is hardly designed to survive life.
One of the finest twentieth-century English novelists, Elizabeth Taylor, like her contemporaries Graham Greene, Richard Yates, and Michelangelo Antonioni, was a connoisseur of the modern world’s forsaken zones. Her characters are real, people caught out by their own desires and decisions, and they demand our attention. The be-stilled suburban backwaters she sets out to explore shimmer in her books with the punishing clarity of a desert mirage.
“Taylor has the genius of making her characters understood, sometimes with an almost frightening clarity, perhaps because she is compassionate as well as relentless in her delineation of them.”
—The New York Times
“Funny, savage and full of loneliness and suppressed emotion.”
—Rachel Cooke, The Observer
“It is time that justice was done to Elizabeth Taylor. . . . All her writings could be described as coming into the category of comedy. Comedy is the best vehicle for truths that are too fierce to be borne.”
“Elizabeth Taylor is finally being recognized as an important British author: an author of great subtlety, great compassion and great depth. As a reader, I have found huge pleasure in returning to Taylor’s novels and short stories many times over. As a writer I’ve returned to her too—in awe of her achievements, and trying to work out how she does it.” —Sarah Waters