Winner of the 2012 Pulitzer Prize for Drama, "Water by the Spoonful" is "a rich, brilliant montage of American urban life that is as dazzling to watch as it is difficult to look away from" ("Associated Press").
Somewhere in Philadelphia, Elliot has returned from Iraq and is struggling to find his place in the world. Somewhere in a chat room, recovering addicts forge an unbreakable bond of support and love. The boundaries of family and community are stretched across continents and cyberspace as birth families splinter and online families collide.
"Water by the Spoonful" is a heartfelt and poetic meditation on lives on the brink of redemption and self-discovery during a time of heightened uncertainty, "as startling and innovative and human on the page as on the stage" (Junot Diaz, Pulitzer Prize-Winning author). Hudes's cycle of three plays began with "Elliot, A Soldier's Fugue" (Pulitzer Prize finalist) and concludes with "The Happiest Song Plays Last."
Quiara Alegria Hudes is the author of the Pulitzer Prize-winning "Water by the Spoonful," the Tony Award-winning musical "In the Heights" and the Pulitzer Prize finalist "Elliot, A Soldier's Fugue." Her other works include "Barrio Grrrl ," a children's musical; "26 Miles"; "Yemaya's Belly" and "The Happiest Song Plays Last," the third piece in her acclaimed trilogy. Hudes is on the board of Philadelphia Young Playwrights, which produced her first play in the tenth grade. She now lives in New York with her husband and children.
Hudes brilliantly taps into both the family ties that bind as well as the alternative cyber universe Her dialogue is bright, her characters, compelling It’s only when cyber meets the real world that anger gives way to forgiveness and resistance becomes redemption; the heart of the play opens up and the waters flow freely.” Variety
Hudes combines a lyrical ear with a sophisticated sense of structure...
A confident and arresting voice.” New York Times
A very funny, warm and, yes, uplifting play with characters that are vivid, vital and who stay with you long after the play is over.” — Hartford Courant