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The Coretta Scott King/John Steptoe New Talent Author Award goes to...

Nicola Yoon, for The Sun is Also a Star!

The Sun is Also a Star by Nicola Yoon


"The John Steptoe New Talent Award is established to affirm new talent and to offer visibility to excellence in writing and/or illustration which otherwise might be formally unacknowledged within a given year within the structure of the two awards given annually by the Coretta Scott King Task Force."

Criteria for winning the award: 

"The criteria for eligibility will be the same as those for the writing and illustration awards, with the exception that the winner(s)' published works cannot exceed three in number. An author or illustrator who has already received or has just been selected to win one of the Coretta Scott King Awards in the current year is not eligible for the John Steptoe Award for New Talent. An author may receive this award one time.

One award will be presented annually for text or illustrations. The Committee may choose to select one book for writing and a second book for illustration. The award need not be given if the committee so decides in a particular year."

For more information and past winners, visit the American Library Associations award page. 

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The ALA's John Newbery Award 2017 Announcement

On Monday, January 23rd, the winner for the American Library Association's John Newbery Award for the most outstanding contribution to children’s literature was announced. 

Winner: The Girl Who Drank the Moon, by Kelly Barnhill.

The Girl Who Drank the Moon by Kelly Barnhill

Staff Review: Every year the Elders in the Protectorate leave a baby in the woods to appease an evil Witch and keep their village safe.  It turns out Xan is a very kind witch and just rescuing the poor babies she finds and placing them with loving families in nearby cities. One year Xan accidentally feeds a baby moonlight filling the child with magic. With the help of a poetic swamp monster and an adorable teeny tiny dragon Xan decides to raise Luna as her own in hopes that she can teach her what she needs to know about the tricky business of magic  Meanwhile the Protectorate remains a city in a haze of sorrows until a young carpenter sets about to save his own future child. As she did in the Witch's Boy, Barnhill proves she is a masterfully storyteller weaving together a deeply moving and powerful fairy tale. (Ages 10-14)

— Shannon, Children's Buyer


Newbury Honor Books:

Freedom Over Me: Eleven Slaves, Their Lives and Dreams Brought to Life by Ashley Bryan, written and illustrated by Ashley Bryan. 

Freedom Over Me: Eleven Slaves, Their Lives and Dreams Brought to Live by Ashley Bryan

Description: Using original slave auction and plantation estate documents, Ashley Bryan offers a moving and powerful picture book that contrasts the monetary value of a slave with the priceless value of life experiences and dreams that a slave owner could never take away. 
Imagine being looked up and down and being valued as less than chair. Less than an ox. Less than a dress. Maybe about the same as a lantern. 
You, an object. An object to sell. 
In his gentle yet deeply powerful way, Ashley Bryan goes to the heart of how a slave is given a monetary value by the slave owner, tempering this with the one thing that CAN T be bought or sold dreams. Inspired by the actual will of a plantation owner that lists the worth of each and every one of his workers, Bryan has created collages around that document, and others like it. Through fierce paintings and expansive poetry he imagines and interprets each person's life on the plantation, as well as the life their owner knew nothing about their dreams and pride in knowing that they were worth far more than an Overseer or Madam ever would guess. Visually epic, and never before done, this stunning picture book is unlike anything you ve seen. (Ages 6-10)

The Inquisitor's Tale: Or, the Three Magical Children and Their Holy Dog by  Adam Gidwitz

The Inquisitor's Tale by Adam Gidwitz

Description: 1242. On a dark night, travelers from across France cross paths at an inn and begin to tell stories of three children. Their adventures take them on a chase through France: they are taken captive by knights, sit alongside a king, and save the land from a farting dragon. On the run to escape prejudice and persecution and save precious and holy texts from being burned, their quest drives them forward to a final showdown at Mont Saint-Michel, where all will come to question if these children can perform the miracles of saints. 
Join William, an oblate on a mission from his monastery; Jacob, a Jewish boy who has fled his burning village; and Jeanne, a peasant girl who hides her prophetic visions. They are accompanied by Jeanne's loyal greyhound, Gwenforte . . . recently brought back from the dead. Told in multiple voices, in a style reminiscent of The Canterbury Tales, our narrator collects their stories and the saga of these three unlikely allies begins to come together. 
Beloved bestselling author Adam Gidwitz makes his long awaited return with his first new world since his hilarious and critically acclaimed Grimm series. Featuring manuscript illuminations throughout by illustrator Hatem Aly and filled with Adam's trademark style and humor, The Inquisitor's Tale is bold storytelling that's richly researched and adventure-packed. (Ages 10+).

Wolf Hollow by Lauren Wolk

Wolf Hollow by Lauren Wolk

Description: Growing up in the shadows cast by two world wars, Annabelle has lived a mostly quiet, steady life in her small Pennsylvania town. Until the day new student Betty Glengarry walks into her class. Betty quickly reveals herself to be cruel and manipulative, and while her bullying seems isolated at first, things quickly escalate, and reclusive World War I veteran Toby becomes a target of her attacks. While others have always seen Toby's strangeness, Annabelle knows only kindness. She will soon need to find the courage to stand as a lone voice of justice as tensions mount. 
Brilliantly crafted, Wolf Hollow is a haunting tale of America at a crossroads and a time when one girl's resilience, strength, and compassion help to illuminate the darkest corners of our history. (Ages 10-13)







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The Bay Area Book BFFs: Authors <3 Bloggers Brunch: NYMBC Interviews Stacey Lee

The Bay Area Book Bloggers Event Group Photo


Saturday, January 14th, Not Your Mother's Book Club, Books Inc. Santa Clara, and the two amazing bloggers at Tales of the Ravenous Reader, invited 13 local Young Adult authors and 13 book bloggers to a mix and mingle event where each blogger had the opportunity to interview an author! Hannah, of NYMBC, had the lovely experience of sitting down with Stacey Lee, author of Under a Painted Sky, Outrun the Moon, and most recently, The Secret of a Heart Note to chat about her writing and publishing process, amazing nose, inspiration, Chinese Face Reading, and The Secret of a Heart Note. 

Note: This interview was originally recorded and has been transcribed and edited for clarification. Any mixups or mistakes in grammar and/or spelling, are mine (NYMBC).


Out of your three books, which took the longest?

Actually they all took about the same amount of time; with Under a Painted Sky I had such a long time to do it so I didn’t work on it in such concentrated doses, which is typical of your first book.


And with [Outrun the Moon], I was under a tight deadline. I had like 3 months to write the first draft.


I worked every day, nine to twelve hours a day on this book. So, I think if you condense it all down, it’s about the same amount of time for each book.  And then with Heart Note I was writing that during the time we were submitting Under a Painted Sky to publishers. And so I had a good nine months to work on that. I wasn’t operating under deadlines for Heart Note and I think I spent about six to nine months writing it. While research for the historicals took several months, it also took me some time to get a handle on all the scents and the flowers for Heart Note. Maybe I'm just a sucker for research! 

I have this question further down, so I’ll just ask it now: How did you balance the writing and the researching? Like did you get into a dark hole of research or were you able to keep yourself from clicking and clicking and clicking…

That has always been a challenge for me, absolutely. I give myself at least three months of like no writing at all, I’m just in the library, most of the time, or online doing research. And then I do research as I go. As I start writing, I’ll find things that need to be addressed, like ‘Oh were there sidewalks in 19th Century Atlanta, Georgia?’ Things like, ‘Were the street lamps electric?’ and then that will send me down a black hole that can take days, sometimes weeks to pull myself out of. This last book I’m working on, the recently announced Dear Miss Sweetie, required at least six to seven months of research and since I’m under a deadline for it I had to start writing while I researched. Ideally it would be nice to get all the research done before starting to write, but real life doesn’t work that way.

Right. Right. And I’ll ask you a question about that one later, but I want to put that on hold. So you kind of mentioned this, you work on multiple books at once, when they’re in the editorial stage. Correct?

Yes. That’s right.

Did you have the idea for Outrun the Moon or The Secret of the Heart Note while you were writing Under a Painted Sky?

So what happened with Secret of a Heart Note, when we were submitting the book to publishers, for Under a Painted Sky, I had time in which it was either write or go crazy waiting for responses, or rejections, as the case was. By the time that one sold and I was ready to work on edits, I had just fisnished writing Outrun the Moon, so timing wise, it all sort of worked out. 

Right, so there’s one thing I noticed throughout all three of your books that was really interesting to me, especially because it was new to me, so I don’t really have the right word for it, but I did Google it: The Chinese Face Readings. Was that something that you researched or that you knew about or learned about while growing up?

Oh yeah! So for me, I’m like, fourth generation Chinese and a lot of the ummm… Chineseness, has been really mingled with the Americanness. My parents, they’re very western in upbringing and I didn’t learn about Face Reading through them, but just through the experience of interacting with Chinese people. The first time I heard of Face Reading, actually, I was dating a guy, a Chinese guy, and when he brought me home to his mother, she gave me the full read out of my face! She said, ‘Oh you will make a good mother because you have a round, whatever it was…’ and I was very intrigued-- a little horrified-- but also intrigued. That was about twenty years ago and I started to do some research into it then because I was curious about what she was talking about. And then I guess I just always had my ears open for when Chinese people would talk about Face Reading. It is a real thing for some people!

I just loved it. I read are all of your books out of order, so I had to go back and read Under a Painted Sky because I started Outrun the Moon for your Launch and she’s describing, oh gosh I’m going to forget all their names, the Cowboys, the cousins, and she says one of them has the earlobes that are hanging and one has earlobes that are connected and I was like, “I have hanging earlobes!” and I read it out to one of my coworkers and she’s like “I have hanging earlobes!” So we were both like. “OHH! So, something’s come easy for us… sorta.”

*both laugh*

So that was really cool and I liked seeing that throughout all your books. Even Secret of a Heart Note has some of that with the scents and personalities matching or how it feeds into all that and I found it really interesting.

Yeah! Thanks for noticing that! 

Of course!

In fact, when I was talking to someone at Putnum, one of the marketing assistants at Putnum, she was talking about the face reading too and she was saying her mother would always comment about, they call them Silk Worms, under your eyes, where you have fat pads under your eyes, they call them silkworms and it’s supposed to be an attractive feature. I had never heard of that one! But it’s interesting what people bring to me.

Yeah it is really interesting. It’s cool.  Another thing that I noticed, in all three of your books, whether the parents were around or not, [the characters] still had a really good relationship with their parents. And I feel like a lot of Young Adult books remove the parents so there’s more drama. Because, you know, it’s a tool, to not have parental supervision.

Absolutely! Right.

So I thought it was really interesting and I really liked how all your characters had good relationships with their parents. So I’m wondering, was that something you consciously did that you wanted the parents to be a big influence on them or if, it was just kind of natural for you to write.

Umm yeah. That’s a great question. I feel like I do see a lot of that in YA, when the parents are just removed from the situation, and I’ve always thought that was so, device like, it always took me out of the story. I think for most people it’s more likely that their parents are around, that they have relationships (good or bad) with them. Not so much out of the picture. So for me it was just a realistic choice. But also, my relationship with my parents is really important to me. They’ve just been so influential in my upbringing and in my life, and I can’t say that it was the most ideal parent- child relationship ever, but they really do shape who you are, for better or for worse. And I’ve always been interested in portraying that. Especially for Chinese people, our family is so integral to who we are. So yeah, I think, both. It was both conscious and also an organic part of how I write a book.

I really liked the parent-child relationships in Secret of a Heart Note. I thought it was just great. I just loved their dynamics.

Thank you.

 Ok … I already asked some of those questions. Oh! Yeah, so I was really shocked when Secret of a Heart Note came across my desk as an ARC. I didn’t know that you were writing a third one! Cause, I think it was a couple months after doing the Outrun the Moon launch for you.


And in comes this book and I thought, “Oh this is a cute book!” and then I saw your name connected to it and I thought “Oh my gosh!” so, how did you keep it a secret? Or did it come out suddenly for you too?

I know, it was weird. I don’t remember, I don’t think it was that I was trying to keep it a secret, but that I was just so busy trying to do so much with Outrun the Moon.

You were also still on tour for it a bit, weren’t you?

Yes, I was going to conferences and doing book promo. So Outrun the Moon came out and in my mind I was like, Ok that one is done, now I can focus on the next one, but in reality it doesn’t always work like that. Like I’m still talking about Outrun the Moon and I am still trying to give that one its push into the world. I don’t want it to feel like it was short changed. I was the middle child so I always feel very conscious of the middle child and giving them their due. And Outrun the Moon is the middle child right now.

I think it’s perfect. It’s set in San Francisco. It’s one of my favorites. When I opened it I kind of just sank into it, so Outrun the Moon has my heart.

That’s a lovely thought!  That’s nice.

Of course! Let’s see. I also wanted to ask about the difference between writing historical fiction versus contemporary.

Contemporary with a magical element, so I’m told.

Why did you choose contemporary for [Secret of a Heart Note]. Did you always see it in contemporary or did you not want to put it in historical fiction?

You know, maybe I was naive but when I wrote the historicals, it was just what I wanted to write. And the same way with Heart Note, it was just what I wanted to write. I had no idea that at the time, I was expected to follow one path or another. For good reason, I write historical, and that’s what I’m known for, so that’s what I continue to give the reading public. But Heart Note was just something I was interested in writing. I enjoy the sense aspect and I like writing humorous things and Heart Note has a lighter tone. I was lucky enough to get a publisher who will publish my more commercial things. 

That’s great. I loved it.

Thank you.

 What was your inspiration for Heart Note?

So I guess, I tell people that it was my nose… *laughs*I also enjoy writing about the mother-daughter-relationship. That was probably the primary reason I wrote it, but maybe the more unique reason is that I’ve always had this strange ability to smell musical notes.

So I discovered that I had this ability when I went to Hawaii some years ago. I was at a perfume shop, that uses only organic natural essential oils from plants, and the perfumer was encouraging me to smell some of her creations and then I noticed she had written musical notes by the smells. I was like, ‘Wow! I can smell those notes!’ I also have perfect pitch. So I knew I could smell the notes that she had written down. So she started testing me and I was like ‘Yeah I can do this too’. And she was like ‘Woah! It’s called synesthesia and this is what it means.’ I just thought it was interesting and I wanted to explore that.

So it exists! It’s a real thing.

Yeah, it does exist. I have never met anyone else, besides this perfumer, who can do that. But my ears are always open for it.

That’s fascinating.

Yeah, its’ a fun and useless trick. Except I can write a book.

And you can say that you can do it! That’s pretty important! Did you have a favorite scene to write?

In Heart Note? I did. I find that the scenes that I enjoy the most are the ones with the biggest pay outs. I think. So for me it was the scene where they go look for the seaweed.

Oh yes!

When they use the surfboard to look for the seaweed, I don’t want to spoil it.

The whole time I was beat red! I was embarrassed for her. I would not go in that water. My brother is a surfer but we grew up in the Gulf of Mexico where it’s warm. I would not go in there. Are you kidding me?

No. I would never!

Definitely not!  It was really good. I like that scene, I also noticed in secret of a heart note that Mim’s best friend was Samoan. I was so excited to see that! I don’t think I’ve ever read a book with a Samoan main character or supporting character. So I thought that was great. I would imagine, representation is important to you?

Yeah. It’s absolutely is important to me. I think the thing is, that I don’t write books consciously thinking, “Oh I need to represent all these people, I need to make sure I include this brown person, or this…”  I just take from what I see around me. So for, POC or people who are diverse, that’s just part of their daily life. So when they write, they show up in their books. It was the same way with Kali. She was just, to me, Samoan. It was quite natural because of my community and the people who I’m familiar with. Thank you for noticing that. She was a fun character to write.

Of course, and she was amazing. Fun and brave.


Full rounded character.

Ok, this one is for Christy , she asked me about your perfumes. Because I know you made some for your giveaways. Are you going to bottle them?

Yes! I sell them through Sweet Briar perfumes on Etsy. I’ve been doing that for I think five years. I used to make aromatherapy perfumes for yoga studios and that was just something I was doing on the side, because I like collecting essential oils. I made a signature perfume for Heart Note and that’s been sort of fun.

You teased a little bit about your next book! Can you tell us a little about that one, can you talk about it yet?

It’s about a Chinese girl who lives secretly in the basement of a print shop. And she becomes the pseudonymous author of an advice column and she must use her influence to affect the outcome of a trial of a black man accused of assaulting a white woman. 

Oh wow.

That’s essentially what it’s about. It takes place in 19th centaury Atlanta, post reconstruction period. There were a lot of issues in Atlanta at the time. I would say this is one of the most research heavy of my books, just because there were so many issues to grapple with: women’s suffrage, in addition to segregation. So it’s going to be a challenge to get a handle on the issues. But it’s going well. There’s a wealth of information on this period it’s just a matter of soaking it all in.

And filtering it through.


Well thank you for letting me interview you! And I’m really excited. I loved your books… I’ll put that on record.

*laughs* Thank you.


*Side Note: It was just announced, January 23rd, that Outrun the Moon is the recipient of the 2016-2017 Asian / Pacific American Literature Award! Congratulations Stacey!

Author Stacey Lee and NYMBC Coordinator Hannah


As I mentioned before, there were 13 authors and 13 bloggers at this event, so, NYMBC's interview is not the only one! The following bloggers were involved in this event and over the next month, they'll be publishing and then linking their interviews on one central page, here. 

Below are the lists of Bloggers and Authors who graced Books Inc. Santa Clara with their presence! Books Inc. and Not Your Mother's Book Club would like to thank everyone who helped and participated in this event with the goal of strengthening the ties between literary friends of the Bay Area! - Hannah, NYMBC <3

Participating Blogs

Hannah at NYMBC

Nancy and Christy at Tales of the Ravenous Reader

Hikari at Folded Pages Distillery

Jesalin at JBelkBooks

Alyssa and Addie at San Jose Public Library

Enna at Books, Boys, and Blogs

Amanda R. at Forever Young Adult

Cristina at Girl in the Pages

Joss at Tealreader

Camille at The Young Folks

Alicia at Shooting Stars Mag

Participating Authors

Rahul Kanakia

Traci Chee

Christy Lenzi

Alexandra Sirowy

Sonya Mukherjee

Jessica Taylor

Kelly Gilbert

Parker Peevyhouse

Tim Floreen

Nina LaCour

Tara Sim

Tricia Stirling


Post Event Fun


You can find a Storify from the event here and a recap vlog here. Brought to you by The Tales of the Ravenous Reader. <3

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